La Danse Du Jasmin De Nadia Sebkhi : Une Ode De L’oralité Ou Un épistolaire Au Féminin

Abstract

Of the dream the letter was born. Of this rapprochement, Nadia SEBKHI, Algerian writer of
French expression, reached the orality with the epistolary in the called text The Dance of the Jasmine. It
inserts fragments of the daily of Dania the writer, his principal character there. A voice which reports
actual women's position in society in Algeria and announces its devotion for the better following day, by
weaving links with Other one, other one but not necessarily opposite. So that this shouting hits far, SEBKHI
opts, then, for the orality as source of its invention, and reinforces its narration by the exchange of
correspondence. Across our article, we shall try to untwist the twines of this amalgam of writings, serving
commitment, manifesting the creativity of the writer. A reading that will allow us to discover a poetics of
the various through which The Dance of the Jasmine grants a new breath in the Algerian female literature
of French language.