De la Caverne à l'Écran

From the Cave to the Screen

Authors

  • Hadj TAIBI Université Mohamed Khider Biskra | Algérie
  • Noudjoud BOUKHENOUFA Université Oum El Bouaghi| Algérie

Keywords:

visual communication, image, evolution, digital discourse, technographism

Abstract

The use of images in human discourse, from cave paintings to digital technographisms, reflects a deeply rooted historical practice. This study highlights the evolution of visual expression, revealing a constant inclination toward aesthetics and rhetoric. The findings indicate that this evolution follows a slow yet inevitable progression, driven by humanity's attachment to the aesthetic and rhetorical power of images. Digital technology has thus marked a genuine 'pictorial turn,' making images essential to communication.

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Published

2024-12-31

How to Cite

TAIBI, H., & BOUKHENOUFA, N. (2024). De la Caverne à l’Écran: From the Cave to the Screen. The Algerian Journal of Letters, 8(3), 130–151. Retrieved from https://journals.univ-temouchent.edu.dz/index.php/RAL/article/view/460

Issue

Vol. 8 No. 3 (2024): Varia

Section

Articles

License

Creative Commons License

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Authors of articles published in THE ALGERIAN JOURNAL OF LETTERS (REVUE ALGERIENNE DES LETTRES)  retain the copyright of their articles and are free to reproduce and disseminate their work.

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