La representación de Orán en la obra dramática El gallardo español de Miguel de Cervantes: Un análisis literario

The Representation of Oran in the Play 'The Gallant Spaniard' by Miguel de Cervantes: A Literary Analysis

Authors

  • Zohra Karima MOKDAD Universidad de Oran 2- Argelia
  • Sidi Mohammed ZIANE Universidad de Tlemcen- Argelia

Keywords:

Cervantes, captivity, Algiers, Oran, autobiographical reference, influence

Abstract

The article explores how Miguel de Cervantes used his captivity in Algiers and his stay in Oran in 1581 to write"The Gallant Spaniard. Oran becomes a key theatre of conflict between conflicts between Spain and the Muslim world in the 16th century. The work is divided into three days, which deal with bravery, liberation and justice, reflecting the tensions of the time and the tensions of the time and Cervantes' personal experiences. The aim of the article is to demonstrate how these personal experiences enriched his narrative and provided a unique narrative and provided a unique perspective on the cultural encounters and conflicts of his time cultural encounters and conflicts of his time.

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Published

2024-12-31

How to Cite

MOKDAD, Z. K., & ZIANE, S. M. (2024). La representación de Orán en la obra dramática El gallardo español de Miguel de Cervantes: Un análisis literario: The Representation of Oran in the Play ’The Gallant Spaniard’ by Miguel de Cervantes: A Literary Analysis. The Algerian Journal of Letters, 8(3), 307–314. Retrieved from https://journals.univ-temouchent.edu.dz/index.php/RAL/article/view/477

Issue

Vol. 8 No. 3 (2024): Varia

Section

Articles

License

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