Et A Quoi Bon Inventer ? »: Pratiques Subreptices Du Plagiat Par Voie Du Collage Dans Quelques Textes De Claude Simon

Abstract

The collusion between artistic evolution and the renewal of literature has been established for more than a century. Such collusion is not unrelated to the opening of the field of the text to all kinds of invasion, with the key, the emergence of complex and fluctuating terminologies that enriches the vocabu-lary of criticism. Texts flirtingwith the outdoors like those of Claude Simon, Nobel Prize for Literature 1985, favor such entries, given the inter- textual and intermedial path they offer. Therefore, the present study would like to question, indirectly, the notion of plagiarism through collage, one of its particular variants according to the thought of Claude Bouché. In short, it is to see how collage in the Simonian case can constitute an essential lever of a subversive narrative posture to short-circuit the question of plagiar-ism in a neo-romantic context.